you're wearing that mask again. the one
that coats those wandering eyes with
a syrup glaze, topped off with a perfect
aching vibrant haze. tilt your head so
that i can see that beautiful smirk sitting
pretty upon your sweet face.
i missed you today, as i pretended to
feel your hand in mine. the streets were
too crowded to inhale even half a breath
of wet spring. so i walked with staggered
breath and long strides; the ghost of your
warm hand tight in mine.
is that hat you're wearing lust or
adoration? i can never tell but i know
that i like what i see. it rests on your
head with an air of finality. now push it
down a bit further and to the left,
it will sit just right.
face to face, i let my eyes catch your liquid
ones. this time for more than a split
second because your glance is too sticky
to let me dig my way out. and i am free
with no cost to you. but you knew that,
before i even told you.
let's dance.















Comments
--
"It's good for everybody to hurt somebody once in a while.
The things I do to people I love shouldn't be allowed."
-A.D.
and beautiful, as 'aprayerforharper' has said.
you do good.
keep it up.
take care.
--
~Kurdt.
--
A pill to make me numb,
a pill to make me dumb,
a pill to make me anybody else.
but all the drugs in this world,
wont save me from myself.
Well written.
--
The funniest thing I've read in a while:
chown -R us ./base
i missed you today, as i pretended to
feel your hand in mine. the streets were
I'd move "to" down to the next line. I'm never much of a fan of ending a line on words like to, the, as, etc... Same with "or" in the next stanza.
Otherwise, beautiful wording; I love it.
This ties in far, far too nicely with the arrogant sounds in the third stanza. It points both about wearing to please, and hopeless liking (as you say, lust or adoration, we're not sure). But then that statement is followed by a request for adjustment. While it is indicative of a wish to please, I'm not sure the outside observer could change what she doesn't entirely recognise. But she obviously knows what she likes, even if she can't define it.
The second stanza seems a break from the rest of the poem; the metaphors are completely different from the rest of it, which for me is too stark a change, but it could be construed as a nice indicator of the actual missing of him changes the speaker's world completely. But it still feels untidy.
The last stanza is bizarre... it suggests a power shift from the "him" to the speaker. He expresses some kind of concern over the whole issue, whereas she is very eager, despite the apparent consequences. Nice switch round.
Marvellous, as usual honey
--
Know your DeviantArt
Learn the Way of the Forums
--
Am I the star beneath the stairs?
Am I a ghost upon the stage?
Am I your anything?
--
Am I the star beneath the stairs?
Am I a ghost upon the stage?
Am I your anything?
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